![]() Lewis College Men’s Choir, and McMaster University’s (Canada) Absolute Pitch. This bodes well for the song’s future, notwithstanding the fact that far too many sophomoric (ahem) arrangements make “Sh-Boom” into a vehicle for barbershop quartets or, worse yet, a hymn.Ī peek online yielded these contestants for what an exemplary representative example might be: (in no particular order) the Pittsburgh Panther Rhythms, the University of Rochester Midnight Ramblers, Tufts’s S Factor, Western Washington University’s Major Treble, Western Connecticut State University’s The Parallel Fifths, the Stanford Mendicants, the Washington University Stereotypes, the Texas A&M Men of Moores, UC-Berkeley’s Men’s Octet, the Ft. If the Internet is any guide, “Sh-Boom” is required harmonizing on many college campuses. The vocals in this instance seem Frenchified with a lot of “la la la” phonemes, making it sound cheesy to anyone except Francophiles and hardcore Christmas carolers, but overall I think the artist nailed the song in spirit if not to the letter. ![]() Of course, the essence of Doo-Wop–like scat–is that its strings of syllables are stripped of traditional meaning. It augers well for “Sh-Boom” that its words are being translated into foreign languages. (Rage is set in a post-apocalyptic near future, following the impact the asteroid 99942 Apophis on Earth, and thus the artist’s rendition of “Sh-Boom” may be an ironic evocation of the meteoric impact itself–Sh-Boom!–as well as a paean–“Life could be a dream”–to a conditionally brighter future.) It has been speculated that the original “Sh-Boom” was an oblique reference to the atomic bomb. The song is dedicated “pour les rageux” which may be translated roughly as “for the haters” but may be gamer lingo for devotees of Rage, a first-person shooter video game. This is a French-language rendering by a solo artist from Orléans identified only as Tatay (a Tagalog word meaning “father”). These cats made a smooth cover which I thoroughly enjoyed. When last heard from, SCR was playing to big crowds in Dubai. Their debut album, appropriately enough titled Life Could Be a Dream, came out in 2011. My survey begins on the Left Coast in Los Angeles with Street Corner Renaissance, a five-man a cappella group, all of whom quit their day jobs to pursue their musical muses. Lately, I have been wondering how well “Sh-Boom” has been holding up to the test of time. I simply think of “Sh-Boom” as one of my favorite songs. Some people consider “Sh-Boom” to be one of the first “Rock and Roll” songs (although references to “rocking” can be found as early as 1947). That same year, “Sh-Boom,” in a paler pop arrangement, was a #1 hit for The Crew-Cuts, a Canadian quartet, backed by Dave Carroll’s Orchestra. “Sh-Boom” appeared on Billboard’s R&B and Pop charts (reaching the #2 and #5 spots, respectively), a rare crossover phenomenon in that era. (“Buddy”) McRae, and James Edwards shared credit for writing the early Doo-Wop classic “Sh-Boom.” Collectively, they were members of the Bronx-based R&B vocal group The Chords, who had their only hit with the song in 1954. ![]() If you would like to purchase a copy of Bundy Strum's Makin' Whooppee album, visit Dymocks Bundaberg on Bourbong St.James Keyes, Claude Feaster, Carl Feaster, Floyd F. "It is lively, fun and full of character with a real 1950's charm." "Some of the songs are played by the whole group while others are beautiful solo pieces," Mr Neuenfeldt said. The album includes songs such as Rockin' Robin, Sh-Boom and The Happy Nappy Song. "Once we had chosen our favourite songs, we recorded at CQUniversity in their studio facility and then up to Cairns at Pegasus Studio to further produce the album with ARIA award winner Nigel Pegrum." "We first did a few gigs within the community to road test some of the songs before putting everything together," he said. Mr Neuenfeldt said many months of rehearsals have gone into preparing the collaboration of well known songs. Their recently released album Makin' Whooppee, is now available in the ABC shop at Dymocks Bundaberg. "Since then we have gone on to play gigs in care facilities and other events." "We have all been part of this group for over a year now and started playing together as a bit of a musical outlet and something fun to do." "Most of us started learning Ukulele a few years ago as rookie hummers and drummers," Mr Neuenfeldt said. Mr Neuenfeldt is part of a seven person musical group called Bundy Strum, who have just released their first Ukulele album.īand members, who all live in Bundaberg, also include Kate Frawley, Lyn Hillier, Ineke Jogedyk, Helen Ragni, Angela Sheridan and Rob Saunders. ![]() That is how musician and producer Karl Neuenfeldt describes why he has such a passion for playing the Ukulele. It is such a small, fun and happy instrument." "IT IS virtually impossible to make sad music with a Ukulele.
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